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Lynda.com - Music Production Secrets Larry Crane on Recording

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File Name
Size
2. Getting the Most Out of Your Tracking Sessions/14.Recording upright piano.mov
144 MB
2. Getting the Most Out of Your Tracking Sessions/5.Recording live performances of acoustic guitar with vocal.mov
125 MB
2. Getting the Most Out of Your Tracking Sessions/7.Recording mic'ed bass amp and DI together.mov
114 MB
2. Getting the Most Out of Your Tracking Sessions/6.Vocal recording tips.mov
114 MB
2. Getting the Most Out of Your Tracking Sessions/12.Treating drum sounds in the room.mov
112 MB
1. Signal Path, Gain Stages, and Phase Relationships/5.Checking phase on a drum kit.mov
111 MB
1. Signal Path, Gain Stages, and Phase Relationships/4.Understanding phase.mov
101 MB
2. Getting the Most Out of Your Tracking Sessions/13.Destroying hum.mov
100 MB
2. Getting the Most Out of Your Tracking Sessions/11.Mic'ing drums.mov
89 MB
2. Getting the Most Out of Your Tracking Sessions/1.Setting proper microphone levels.mov
88 MB
2. Getting the Most Out of Your Tracking Sessions/2.Mic'ing snare drums.mov
71 MB
2. Getting the Most Out of Your Tracking Sessions/9.Creating an ensemble from one musician.mov
70 MB
2. Getting the Most Out of Your Tracking Sessions/3.Treating snare drums for alternate sounds.mov
62 MB
2. Getting the Most Out of Your Tracking Sessions/4.Comparing four common vocal mics.mov
61 MB
2. Getting the Most Out of Your Tracking Sessions/8.Using distortion with bass guitar.mov
48 MB
2. Getting the Most Out of Your Tracking Sessions/10.Finding the best drum placement in room.mov
44 MB
1. Signal Path, Gain Stages, and Phase Relationships/3.Console and digital audio workstation signal flow inputs and outputs.mov
40 MB
1. Signal Path, Gain Stages, and Phase Relationships/1.Understanding input signal path.mov
32 MB
1. Signal Path, Gain Stages, and Phase Relationships/2.Gain staging.mov
22 MB
0. Introduction/welcome.mov
19 MB
3. Conclusion/Creating your own style.mov
11 MB